![]() Toolfarm has a wide variety from companies like Boris FX, NewBlueFX, Coremelt and many more. Prefer to use a third-party for Color Grading in FCPX or LUTs? Combine this with its already existing toolset and we just may have a game changer. These new features build on a list of others not mentioned in this article like native 360 video support and HDR content delivery. The newest version offers flexibility for any creator to work with the color effects they’re most comfortable with. One could argue that, except for on rare occasions, all the primary and secondary color corrections you would previously do in a third-party app, can now all be done in FCP X. The addition of the color grading features in 10.4 makes it even more exciting. Not too long ago I encouraged you that if you had previously given up on FCP X, now was the time to give it another look. He also talks about hue vs saturation curves, white balancing, custom LUTs and much more. Learn how to use the color board, color inspector, and make adjustments using color wheels. Nick Harauz walks you through the Color Grading in FCPX (10.4). ![]() KingTutsPro gives you some tips on working with the scopes and color wheels in Color Grading in Final Cut Pro X.įCPX 10.4’s Color Grading Tools Are a Game Changer Mark Spencer and Steve Martin talk about the new hue sampler in Final Cut Pro 10.4, specifically color masking vs. MacBreak Studio Ep 412: Awesome Hue Sampling in FCP X Mark Spencer and Steve Martin from Ripple Training give a nice overview of the tools for Color Grading in FCPX. FCPX 10.4 came with some hot new features for color grading, including the Color Inspector and Color Wheels, making color grading easier and more intuitive. ![]() ![]() Color Finesse 3 also handles QuickTime movies and image sequences and supports image formats from bitmap to jpeg.One topic we haven’t covered much is Color Grading in FCPX, so it’s time to remedy that. From the standalone application you can import projects from Final Cut Pro or create your own. The Color Finesse 3 stand-alone application is designed to do one thing and one thing only and that’s to provide its users with the best possible color correction tool possible. This is a handy feature when using video editing software with limited color correction built-in. This plugin provides you with access to color correction tools right from within the hosting application in addition to the Color Finesse interface. The Color Finesse 3 Plugin is functional with most major editing programs such as Premiere Pro, After Effects, Final Cute Pro and a few other hosts. Using the best tool for the job always leads to the best results. Synthetic Aperture’s Color Finesse 3 allows you to have control over the look, color, and mood of your photos and images easy, fast, and on point. Your settings will even carry on through application to plugin and back. Color Finesse, 3 being cross-platform, means that it works on multiple operating systems on anything from multi-processor work stations to laptops, all without needing specified video cards or more than one monitor. The Standalone program offers improved project management, workflow and video handling. However, unlike the standalone program, the plug-in version is limited by host application restrictions. Synthetic Aperture Color Finesse 3 is available as a plug-in for your favorite program like Premiere Pro, After Effects, Motion or Final Cut Pro or as an Independent Standalone Application. ![]()
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